support coming from the likes of kerri chandler, dyed soundorom, maya jane coles, maceo plex, solomun, dubfire, reboot, till von sein, anja schneider and many, many more!

daniel stefanik is one of the techno and house newcomers of the last years. his carefreeness as a dj behind the decks and his likeable appearance are literally distinctive for a new generation of young, down-to-earth producers from germany, which are the result of the influence of väth, villalobos and hawtin on the one side, and solid but hedonistic house on the other. whereas many producers nowadays have dedicated themselves to only one musical direction, the influence of kerri chandler, chez damier or kevin saunderson is clearly noticeable in stefanik’s music. his longplay debut for cocoon recordings is a mirror of all these influences and yet it’s so up-to-date and contemporary like only few other techno and house albums today.

2012 sees detroit label, kms records, celebrating its 25th anniversary.

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by,kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

turbo recordings fights hot young producers with hot young producers with this blistering pack of remixes of gingy & bordellos iron & water ep.for this pack of remixes, we made an exception to our usual a&r policy. we figured theyre young, theyre connected,and they dont have to spend the next month reupholstering tigas office furniture.

played by sven väth im boiler room! vinyl only! vinyl runs from the inner side to the outer side like the old nsc cuts from back in the days. pure detroit house and techno. this track was made possible by my good friends blake baxter >the prince of techno<, greg stafford from b.a.m and the soulful gospel singer quwona >dee dee< toney who truly loves the lord. santonio is very well known from his releases on kms or network. together with reese (kevin saunderson) he wrote techno history and delivered some of the most important techno tracks which tag the revolution of techno music. santonio licensed tracks to tresor records in berlin, react records, infonet, express, network, bpm recording, and random recordings in belgium.

after the successful release of the expert escapist 12inch on diametric. in late 2010 and the inclusion of the track nanomal on last years music man mix cd by marcel dettmann, our purveyor of straight no nonsense techno mr. kevin m. kennedy returns with four new slices of dancefloor techno. if you like your techno edgy and direct in your face, this is the record for you. hailing from columbus, ohio, usa, kevin has already released on shake’s frictional label and on the detroit based xplor label (as sleep engineer) and others, and is a very welcome part of the diametric. family now. 300 handnumbered limited vinyl copies only. no digital distribution.

spring summer vinyl sampler of glasgow underground.... proper house for 2012... check

limited 2x 10 inch boxset...

alex israel, chicagos own overlord of deranged deep house comes to creme with a rip-roaring four tracker in said style. lush pads meander over swampy basslines and drum patterns that wash over you like a sweet monsoon. hard to imagine it was conceived in the windy city, but we guess the allure of the unattainable is a potent one.

proper 2012 remixes double vinyl pack, incl remixes fropm dixon, rob mello, kevin mckay, photo 51... housed in limited handsprayed cover-artwork

after successful releases on capsula, by sasha carassi, and ready2rock, by nihil young, perthil & aerts coming with a new track on a brandnew label named authentic pew. the original version, re-edited by tibor szekely, opens the gate into a dark world of deep techno. remixed by kevin gorman (manchester, uk), oliver dodd (nashville, us) and markus suckut (germany) this release reflects a intercontinental techno vision. a very stimulating mixture!

sepalcure follow up last years critically acclaimed lp on hotflush recordings with a new ep featuring remixes from kevin mcphee and trevino (a.k.a. marcus intalex), alongside one previously released album cut and one original track.

limited 2012 remixes, non artwork version

classic techno album from the network vaults. featuring the biggest names from detroit who pioneered the techno sound. derrick may, juan atkins, kevin saunderson they are all here on this superb ground breaking album

supported by spencer parker, iron curtis, frawl, kevin griffiths, nick harris (nrk), jeff k, dario zenker, pezzner, dj deep, red rack em, melon, clive henry, gavin herlihy and many more!

played and supported by dvs1,norman nodge,lucy,marcel dettmann,chris liebing,alan fitzpatrick,par grindvik,tommy four seven,inigo kennedy,samuel l session,samuli kemppi,truncate,kevin gorman,jonas kopp,max m,dadub,dustin zahn,bas mooy and more. the evolution and sound research, continue to be the lifestyle of fabrizio lapiana,the labels owner. his introspective journeys,continue with this new vinyl. here are two tracks that show that he is close to the discovery of himself.

brand new huxley on the currently on fire hypercolour label, it is modern uk house with a bass heavy twist to it, very much in the same vain as recent scuba productions. on the flip is a remix from the talented eats everything. a fine follow up to the recent kevin mcphee release on this label.

limited edition super loud double vinyl, part 2 of 2.
the music on this two volumes of 2x12 lp features tracks that were the soundtrack to voguing, the dance style that erupted in new york city between 1988–1995.

nach wilden partys und einigen gemeinsamen studionächten gründeten marc raum & matthias wittmann das neue projekt witte & raum und so entstand auch gleich die single black moon white sun die schon seit wochen ihr unwesen in den clubs treibt!

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

one of the most influential founders of the dutch techno scene, orlando voorn, re-released one of his biggest singles under his alter ego the nighttripper with brand new mixes from kevin saunderson, paul mac, robert hood and robert armani. supported by chris liebing, james ruskin, speedy j, carl cox, ben sims, marcel dettmann, dj rolando, planetary assault systems, kevin saunderson, orlando voorn, ritzi lee, dave clarke, sven vath, ben klock, bas mooij, dj rolando, grovskopa, dj 3000, josh wink, surgeon, sandwell district to name a few.

after making his way on institubes, surkin completed his first album which comes out on marble,among theses sixteen tracks, vocals featuring from ann saunderson (detroit),kevin irving (chicago) and two collaborations with his teammate bobmo (both together known under the name of high powered boys).an album that explores all facets of dance music!

man make musics second release is a collaboration between two talented londoners, jack dixon and rick grant. having already made waves with individual releases on labels such as brownswood, hypercolour and take, these two good friends now offer up a pair of brilliantly off-kilter house tracks. >running man< is a heady mix of skipping percussion and caressing juno synth-lines, whilst, on the flip, >muted< takes a more understated, melancholic turn, counterbalancing the ecstatic nature of the a-side. jack and ricks contributions are also offset by kevin mcphees weird and wonderful slow-mo interpretation of >running man<. the remix blends vocals drenched in reverb with creeping piano riffs and shows yet another musical side of a man garnering plaudits from all corners for his unique style.

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

part 2 of helixirs >undivided< album vinyl edition. limited pressing of 200 copies, no repress.
recognized for the quality and versatility of his productions, his style is impossible to label, or simply as the ‘helixir’ style. master of programming, sound mixing, bass science and eq, kevin always surprises and never do the same thing twice. just listen to his four 12 inches on 7even recordings and you will find different tempos, dub, breakbeat, dubstep, drum & bass, indus and techno flavours. mala, untold, mary anne hobbs, 2562, f, ramadanman or brendon moeller support his music. kevin is exploring, and it’s the only way of living music for helixir.

from the depths of the mississippi now transmitting from brooklyn, aow are making their presence felt. featuring remixes by kevin reynolds, scott ferguson and josh dahlberg.

although firmly entrenched in the minus camp for years, this latest four track ep from us born, berlin based ambivalent marks a widening of his sonic remit. as such it arrives on the broader techno outpost that is plus 8, and can be added to the likes of clink for whom the man known as kevin mchugh has also recorded. carefully blending the soul of his american roots with a european propensity for machine music, ambivalent’s ever evolving sonic blueprint here explores some of his most fluid grooves to date

orlando voorn and underground liberation selected none the less than a.o. kevin saunderson, ken ishii, robert armani, luke slater (planetary assault systems), robert hood, ben sims, dj t-1000, suburban knight, k-alexi shelby and ritzi lee to deliver new version of tone explotation and phuture.

correspondant has been jennifer cardinis residence at rex club paris for 8 years. the parties have been legendary with guests and friends from all over the world and today we are extremely proud to announce that correspondant has become a label! for our first release nhar and plein soleil will have the honors. nhar began his productions alongside kevin scherschel as the 22 crew and has since then worked with minimal house imprints modelisme, plak or mobilee to name a few ... on the b side comes plein soleil s interpretation. lead by krikor and chloe, plein soleil need no introduction, everyone remembers their latest pressing on live at robert johnson as well as their stunning remix of losoul on playhouse. so get ready for nhar and plein soleil…

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

over the course of nine albums in the 2000s for their producer-led beat generation series, bbe adopted an unusual stance. >do what you want<, their artists were told for probably the first time in their careers. the labels enormously liberal approach was the antithesis of stiff major record label a&r practices, their forward thinking rewarded handsomely by a truly diverse set of albums from some of the worlds most capable hip-hop architects.

sam shackleton stalks deeper into the sub-loaded unknown, with two valentines day releases for honest jons, loaded with spectacular remixes by kevin martin, t++ and baron mordant, all stunningly mastered by rashad becker, and presented with startling artwork by zeke clough. this first 12 inch features the original plus remix from kevin martin aka king midas sound.

slamming classic chicago house, now 2011 with fresh updated edits

fof kick off 2011 with a nod to the past in the form of justin drake (peace division) and kevin griffiths- (tsuba) -the devil-s eyes-, a deliciously grimy jackin- groove, coming on like a low slung mid 90s house production a la schatrax. we enlisted the talents of christopher rau for the first remix. as many of you know christopher has had an impressive 2010 culminating in his critically acclaimed lp -asper clouds- for the always excellent smallville label. chris cleverly uses elements of the original, intertwined them into an altogether quirkier, more optimistic deep house groove with a definite injection of -fun-: to round off the package, new talent bleak takes the reigns, providing a peak time techno stomper. bleak-s debut single will be released on hamburg imprint -sudden drop- sometime in early 2011 and promises to mark bleak out as a name to look out for.

january 2011 marks the 5th anniversary of the label and to celebrate there will be two very special releases, the first of which brings together new killer remixes of tsuba classics. the one and only sebo k remixes nina kraviz & okain creating a true peak time house bomb. arto mwambe deliver an atmospheric acid mix of label boss kevin griffiths and art department live up to the hype with a synth driven mix of dyed soundorom. all in all a fitting package to celebrate part one of a very special birthday!,

italys joyfull family kick off 2011 in style

support from oxia, rodriguez jr, radioslave, josh wink, dj koze, laurent garnier, seth troxler, joris vorn, jennifer cardini, dixon, claude vonstroke... two friends who have known each other for many years, who have often shared the same stage and recently enlightened our summer workshops at la carrière, who trade deeply-felt lyrics and singing for singular and refined productions and who delivered infinés finest electronic rhymes. after >silently<, clara called mimu again for >deer & fox<, the vocal pop wonder of >polyamour<. this fall infiné has invited forward-thinking remixers to work on clara s stems for four new opportunities to play the track. deep and introspective, the troublemakers of dop have kept the classy original textures, slowed down cleverly the bpm to carrying mimus voice into a bubble of euphoric bleeps. pampered by derrick may, juan atkins or kevin saunderson, stacey pullen offers the clubbers a one-way ticket into his time machine. right back at the heydays of the detroit second generation. terribly old school and consequently incredibly efficient on the floors. widely praised for their recent intrusions on the very respected karaoke kalk label, tolouse low trax on top having a profound liking puns, have turned >deer & fox< into a dizzying after party chorus, adding their own dark and hypnotic sound pallet. offered as digital extension but no less essential to the package, austrian producer ritornell aka richard eigner brings celestial violins and heavenly piano for a shining and delicate rework, which could almost let you forget the original.

from deep in the heart of moulton studios comes this new offering from san frans main man jay-j and kevin k. using a martin luther king like speech, this bumps along with cali conga hits and deep techy stabs, a really cool uplifting miguel migs synth comes in after the break, for pure party hands in the air. on the back a more acidic affair, with a tweaky 303 and dubby mazi delays. you all know whats up with jay- js sh**t, dis is kicking!

black rascals >blaze theme track< receives a reissuing from slow to speaks core series! one of the best moments from one of the best deep house production teams ever to grace this good earth, the impossible-to-find >blaze theme track< is the quintessential instrumental masterpiece from new jerseys kevin hedge & josh milan. moody, brooding chord stabs lay way for a breathtaking bass solo that drives the record forward from the first few measures on to its continuous and relentless ascension

the kid is back with silver island, an ambitious record that effortlessly manages to straddle the divide between the club and the house and confirms surkins mastery of dancefloor excitement (fan out), showcases a new take on swagger-heavy piano house (easy action) and unveils a new melodic direction (silver island). surkin is currently working on his first album, scheduled for fall 2010. detroit and chicago house luminaries ann saunderson and kevin irving are confirmed guests.

wave music presents its newest release under the milk & honey moniker with additional production by boyd jarvis. the original long version is a beautifully drawn out symphony of strings and jazzy keys over a sultry downbeat and lazy vocoded vocals. consider this gold for fans of 4 hero and all lounge-core/downtempo fanatics. the flip however is boyd jarvis uptempo dance floor phenomenon. inserting a heavy and pumping bass line and adding xylophone arpegios alongside congas, organ synth and space atmospherics make for one wild galactic journey. think kevin yost remixed by salt city orchestra and you are right on target. slamming!

incl. nivek tsoy remix aka house-legend: kevin yost !!!! dj support: sebo k, laurent garnier, robert dietz, franck roger, spencer parker, 2000 and one, lauhaus, meat, anthony collins, bearweasel.......hectors cv reads like a whos who of underground dance labels taking in mobilee, crosstown rebels, 8 bit, 20:20 vision, horizontal and phonica. now he makes his tsuba debut with the stunning >double standard< ep, featuring 3 peak time bombs and a housier mix from kevin yost under his nivek tsoy guise... an essential house release

remixes by matthias tanzmann, kevin griffiths and hector.

repress!! ambivalence is a funny thing. the simultaneous existence of two opposed and conflicting attitudes can cause much confusion and unease. fortunately, it has served to do nothing but help kevin mchugh in his quest to achieve impeccable music productions and attract a global audience eager to hear his unique take on confounding dance floor tracks

kevin m. kennedy aka fbk is escaping. escaping from the everyday struggles of life in columbus, ohio, usa. one of his escape routes is his music and when you listen to his tracks you can feel why. his music is emotional to the core, no matter if its powerful and heavily funky techno such as >flying hybrids< or dark and sinister straight electro like >chosen path<. every single sound and rhythm is pure fbk and will cause a frenzy on the dancefloor. having released on shakes frictional label as fbk and on detroit based label xplor as the sleep engineer, kevin is not a newbie in the techno circus. diametric. is proud to release the first new record from the expert escapist since 1997. why he remained below the radar for so many years is a mystery. fbk will have further upcoming releases on frictional soon. no digital distribution. limited to 320 handnumbered copies. save the vinyl.